Josef Danhauser, 1829 - Αστεία σκηνή στο στούντιο - εκτυπώσεις καλών τεχνών

Πληροφορίες για την καλλιτεχνική εκτύπωση με το όνομα "Funny scene in the studio"

Funny scene in the studio is a painting made by the realist painter Josef Danhauser in 1829. Το έργο τέχνης έχει το μέγεθος: 40,3 x 52 cm - διαστάσεις πλαισίου: 59 x 72 x 8 cm. Oil on canvas was applied by the European artist as the medium of the artpiece. The original artpiece has the following inscription: signed and dated lower left: Danhauser / 829. This artpiece is part of the digital collection of Belvedere in Βιέννη, Αυστρία. We are delighted to reference that the public domain work of art is provided with courtesy of © Belvedere, Βιέννη, αριθμός αποθέματος: 2552. Εξάλλου, το έργο τέχνης έχει την πίστωση: μεταφορά από το Kunsthistorisches Museum, Βιέννη το 1926. Επιπλέον, η ευθυγράμμιση είναι μέσα τοπίο μορφή και έχει αναλογία 4: 3, εννοώντας το μήκος είναι 33% μεγαλύτερο από το πλάτος. Josef Danhauser was a artist, painter of Austrian nationality, whose artistic style can mainly be classified as Realism. The Realist painter was born in 1805 in Vienna, Vienna state, Austria and passed away at the age of 40 στο 1845.

Γενικές προδιαγραφές από την Belvedere (© Copyright - by Belvedere - κιόσκι)

One year after the "Schola Renz Always" (Inv 2109) discussed Danhauser once more his metier. Another art world is full of life - this time by a large dog in his hunt for the cat lifts the painter along with his stool and pushes with both legs through the image. The joke of the presentation revealed that the head of the artist ends up in the mouth of painted hippopotamus and the Africans in the picture by the Thrust the spear gives the impression that he would save the painter. The "Art structure" on the easel that has nothing to do with the culture of the master and is made on the basis of several graphical templates (to see the stapled to the canvas sheet and the open book next to the easel), is thus used content-expanding and by the realistic described hunting instinctual dog absurdity. Danhauser could not with this scene, even with the "Schola Renz Always" on a common image form to fall back, because representations of painters were previously limited to self-portraits. In contrast to these, which are based solely on one's own person and the professional dignity, clinging Danhauser himself out, brought own situation knowledge and described the events as an observer from the outside. By intertwining of real and fictive level, he has continued spun in the present painting, which he had criticized in "Schola Renz Always": he wanted the budding artists were, "vormalen" like what coming toward him, he should set his progress academic bids accordingly. This inherent criticism of the education system is reminiscent of the claims Waldmüller, because like this it appealed in numerous writings, not to let besides copying the study of nature aside, put Danhauser with his two studio scenes to mind copying and the importance of history painting in its conventional form in question. In order to give his concern emphasis, he picked up the most extreme, namely the destruction of the image - clear rejection of the tradition can not be expressed. [Sabine Grabner 8/2009] Literature: Sabine Grabner, in: self-image. The artist and his portrait, ed. v. Renate Trnek, exh. . Kat Academy of Fine Arts Vienna, Ostfildern-Ruit 2004; This .: The painter Josef Danhauser - Biedermeier period in the image. Monograph and catalog raisonné, Vienna, Cologne, Weimar 2011 (Belvedere of Works, 1), pp 37-45, 204, WV-No. 46

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Για κάθε εκτύπωση καλών τεχνών προσφέρουμε διαφορετικά μεγέθη και υλικά. Σας δίνουμε τη δυνατότητα να επιλέξετε το αγαπημένο σας μέγεθος και υλικό ανάμεσα στις ακόλουθες επιλογές εξατομίκευσης προϊόντων:

• Εκτύπωση σε γυαλιστερό ακρυλικό γυαλί (με επίστρωση πραγματικού γυαλιού): An print on acrylic glass, which is often labelled as a UV print on plexiglass, changes your original work of art into magnificient wall decoration. The artwork will be custom-made thanks to modern UV printing machines. This makes vivid, stunning colors.
• Εκτύπωση σε καμβά: The printed canvas material mounted on a wood stretcher frame. Furthermore, a canvas generates a homelike and comfortable look. The advantage of canvas prints is that they are relatively low in weight, which means that it is easy to hang up the Canvas print without the use of extra wall-mounts. A canvas print is suited for all types of walls.
• Εκτύπωση αφίσας σε υλικό καμβά: A poster is a printed sheet of cotton canvas with a granular surface finish. Please note, that depending on the size of the poster print we add a white margin of approximately 2-6cm round about the print in order to facilitate the framing.
• Μέταλλο (εκτύπωση dibond αλουμινίου): These are metal prints on aluminium dibond with an impressive depth - for a modern look and non-reflective surface. For the Print On Aluminum Dibond, we print the favorite artpiece on the aluminium composite surface. The colors are luminous and bright in the highest definition, fine details of the print appear clear and crisp, and the print has a a matte look that you can literally feel. The direct UV print on Aluminum Dibond is the most popular entry-level product and is an extremely contemporary way to display art prints, since it draws focus on the image.

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