Johan Thomas Lundbye, 1846 - Kolås Wood. Vejrhøj - εκτυπώσεις καλών τεχνών

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Kolås Wood. Vejrhøj είναι ένα έργο τέχνης που δημιουργήθηκε από τον ρομαντικό Δανέζικα artist Johan Thomas Lundbye. The work of art is part of the Statens Museum for Kunst (Εθνική Πινακοθήκη της Δανίας). ψηφιακή συλλογή. Με την ευγενική προσφορά: Εθνική Πινακοθήκη της Δανίας (άδεια - δημόσιος τομέας).Πιστωτική γραμμή του έργου τέχνης: . Επιπλέον, υπάρχει ευθυγράμμιση της ψηφιακής αναπαραγωγής τοπίο μορφή με αναλογία διαστάσεων 4 : 3, που σημαίνει ότι το μήκος είναι 33% μεγαλύτερο από το πλάτος. Johan Thomas Lundbye was a painter, whose style can be classified as Romanticism. The Romanticist painter lived for a total of 30 χρόνια - born in 1818 in Kalundborg, Sj?lland, Denmark and died in the year 1848.

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• Τυπωμένο ακρυλικό γυαλί: The acrylic glass print, which is often denoted as a plexiglass print, changes your favorite original artwork into great home decoration and forms a viable alternative option to canvas or dibond prints. The artwork is being printed with state-of-the-art UV direct printing machines. The great upside of an acrylic glass fine art copy is that sharp contrasts plus color details become visible thanks to the granular gradation in the print. Our plexiglass with real glass coating protects your chosen fine art print against sunlight and external influences for up to 60 years.
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• Εκτύπωση σε καμβά: The canvas print, which should not be mistaken with a canvas painting, is a digital replica applied directly on canvas fabric. It produces the exclusive effect of three dimensionality. Canvas Prints have the great advantage of being relatively low in weight. This means, it is quite simple to hang the Canvas print without any wall-mounts. That is why, a canvas print is suited for all types of walls.

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Γενικές πληροφορίες από την ιστοσελίδα του μουσείου (© - από Statens Museum for Kunst (Εθνική Πινακοθήκη της Δανίας) - Statens Museum for Kunst (Εθνική Πινακοθήκη της Δανίας))

”I do not find lonely places in nature sad, but am drawn to the grandeur and calm of such sites”, said J.Th. Lundbye in his diary in 1844.

Lundbye was a votary of isolation as something conducive to the study’s union of the love of nature and the artistic spirit.

In this case the signature tells us that the study was created on Vejrhøj, a landmark within the artist’s autobiographical landscape: His grandparents lived in the nearby town of Kalundborg, where he himself was born, and the place became a recurring motif in his pictures.

The study testifies to the close relationship between art and artist, for the painter very emphatically left evidence of his work in the picture, e.g. in the luminous tree trunks that have been outlined with traces of thick, glossy paint.

In Lundbye’s work, withdrawal into a state that emphasised the individual and self-elected loneliness was partly prompted by the philosopher Søren Kierkegaard (1813-1855), whose writings had begun to have considerable impact on his mindset around the time this study was created. Kierkegaard evinced a similar interested in a radically individual state of perception, and as far back as 1843 Lundbye became familiar with Kierkegaard’s Either/Or, which was published under the pseudonym Victor Eremita (the Victorious Hermit).