Gerard ter Borch, 1656 - Γυναίκα που ράβει δίπλα σε μια κούνια - εκτυπώσεις τέχνης

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• Εκτύπωση αφίσας (υλικό καμβά): The poster is a printed canvas paper with a nice surface texture. A poster print is designed for framing your art replica in a custom frame. Please keep in mind, that depending on the absolute size of the poster we add a white margin of around 2-6cm around the artwork in order to facilitate the framing.
• Η ακρυλική στάμπα γυαλιού (με επίστρωση πραγματικού γυαλιού): An print on acrylic glass, which is sometimes labelled as a fine art print on plexiglass, makes the artwork into beautiful home decoration. The plexiglass protects your custom art print against sunlight and external influences for several decades.
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• Εκτύπωση dibond αλουμινίου: Aluminium Dibond prints are metal prints with an impressive effect of depth. A direct Aluminium Dibond Print is the perfect introduction to art reproductions with aluminum. The colors are luminous, the fine details are crisp and clear, and the print has a a matte look that you can literally feel.

Σημαντική νομική σημείωση: We try our best to describe the art products as accurate as possible and to illustrate them visually on the various product detail pages. Nevertheless, the pigments of the print materials and the print result may vary slightly from the representation on your monitor. Depending on your settings of your screen and the nature of the surface, colors can unfortunately not be printed 100% realistically. Bearing in mind that all art prints are printed and processed manually, there might also be minor deviations in the motif's exact position and the size.

Additional artwork information by Mauritshuis (© Copyright - by Mauritshuis - Mauritshuis)

Possibly identical with a painting in the sale of Jacob Dissius, Amsterdam, 16 May 1696 (Lugt 162), no. 17 (56 guilders); probably Johan Steyn, Haarlem; his sale, Haarlem, 28 April 1711 (Lugt 229), no. 9 (50 guilders); Joan Hendrik van Heemskerk, The Hague; his widow, the dowager Van Heemskerk, The Hague; her sale, The Hague, 29 March 1770 (Lugt 1818), no. 15 (for 854 guilders to Fouquet); Pieter Fouquet Gallery, Amsterdam, 1770; Pieter de Smeth, Lord of Alphen and Rietveld, Amsterdam; his sale, Amsterdam, 1 August 1810 (Lugt 7842), no. 101 (for 510 guilders to Theodorus Spaan for Croese); Hendrik Croese, Amsterdam; his sale, Amsterdam, 18 September 1811 (Lugt 8065), no. 88 (bought in for 400 guilders through ‘Van der Voort’); part of sale Amsterdam, 20 July 1812 (Lugt 8228), no. 59 (for 405 guilders to Spaan); Theodorus Spaan Gallery, Amsterdam, 1812; Casimir Pierre Périer, Paris; his sale, London, 5 May 1848 (Lugt 19009), no. 16 (bought in for 325 pound and 10 pence through ‘Watson’); his daughter, Comtesse de Ségur, née Périer, Paris; Guiraud & Fils Gallery, Paris, 1924 (for 300,000 francs to Lugt); Frits Lugt Gallery, Maartensdijk, 18 June 1925, inv. no. 2316 (sold that same month to Nienhuys); J.W. Nienhuys, Aerdenhout, 1925; his widow, A.M. Nienhuys-Versteegh, Aerdenhout; her son, J. Nienhuys, Aerdenhout, 1966-2004; bequest of J. Nienhuys, 2004

Πράγματα που πρέπει να γνωρίζετε για το έντυπο τέχνης Woman Sewing beside a Cradle

The artwork "Woman Sewing beside a Cradle" was painted by Gerard ter Borch in 1656. The 360 year-old version of the artpiece had the following size: ύψος: 46,5 cm πλάτος: 38 cm | ύψος: 18,3 σε πλάτος: 15 ίντσες και κατασκευάστηκε με λάδι σε καμβά. Αυτό το έργο τέχνης είναι μέρος του του Mauritshuis συλλογή ψηφιακής τέχνης, όπου το Mauritshuis φιλοξενεί τα καλύτερα έργα τέχνης της ολλανδικής ζωγραφικής του δέκατου έβδομου αιώνα. Με την ευγενική προσφορά: Mauritshuis, Χάγη (αδειοδοτημένος - δημόσιος τομέας). Επιπλέον, το έργο τέχνης έχει την ακόλουθη πιστωτική γραμμή: Possibly identical with a painting in the sale of Jacob Dissius, Amsterdam, 16 May 1696 (Lugt 162), no. 17 (56 guilders); probably Johan Steyn, Haarlem; his sale, Haarlem, 28 April 1711 (Lugt 229), no. 9 (50 guilders); Joan Hendrik van Heemskerk, The Hague; his widow, the dowager Van Heemskerk, The Hague; her sale, The Hague, 29 March 1770 (Lugt 1818), no. 15 (for 854 guilders to Fouquet); Pieter Fouquet Gallery, Amsterdam, 1770; Pieter de Smeth, Lord of Alphen and Rietveld, Amsterdam; his sale, Amsterdam, 1 August 1810 (Lugt 7842), no. 101 (for 510 guilders to Theodorus Spaan for Croese); Hendrik Croese, Amsterdam; his sale, Amsterdam, 18 September 1811 (Lugt 8065), no. 88 (bought in for 400 guilders through ‘Van der Voort’); part of sale Amsterdam, 20 July 1812 (Lugt 8228), no. 59 (for 405 guilders to Spaan); Theodorus Spaan Gallery, Amsterdam, 1812; Casimir Pierre Périer, Paris; his sale, London, 5 May 1848 (Lugt 19009), no. 16 (bought in for 325 pound and 10 pence through ‘Watson’); his daughter, Comtesse de Ségur, née Périer, Paris; Guiraud & Fils Gallery, Paris, 1924 (for 300,000 francs to Lugt); Frits Lugt Gallery, Maartensdijk, 18 June 1925, inv. no. 2316 (sold that same month to Nienhuys); J.W. Nienhuys, Aerdenhout, 1925; his widow, A.M. Nienhuys-Versteegh, Aerdenhout; her son, J. Nienhuys, Aerdenhout, 1966-2004; bequest of J. Nienhuys, 2004. Επιπλέον, η ευθυγράμμιση της ψηφιακής αναπαραγωγής είναι σε μορφή πορτραίτου και έχει πλευρική αναλογία 1: 1.2, meaning that the length is 20% shorter than the width. Gerard ter Borch was a painter, whose style can mainly be classified as Baroque. The Baroque painter lived for 64 χρόνια και γεννήθηκε το 1617 και πέθανε το έτος 1681.

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