John Constable, 1836 - Stoke-by-Nayland - εκτυπώσεις καλών τεχνών

Ο πίνακας με τίτλο Stoke-by-Nayland ως αντίγραφο τέχνης

In the year 1836 John Constable created the romanticist work of art Stoke-by-Nayland. Το πρωτότυπο άνω των 180 ετών βάφτηκε με το μέγεθος 126 × 169 cm (49 5/8 × 66 1/2 ίντσες) και ζωγραφίστηκε στο μέσο λάδι σε καμβά. Moveover, το έργο τέχνης βρίσκεται στο Ινστιτούτο Τέχνης του Σικάγο collection in Chicago, Illinois, United States of America. With courtesy of Ινστιτούτο Τέχνης Σικάγο (licensed - public domain). Creditline of the artwork: Mr. and Mrs. W. W. Kimball Collection. Moreover, alignment of the digital reproduction is landscape with a side ratio of 4: 3, Πράγμα που σημαίνει ότι το μήκος είναι 33% μεγαλύτερο από το πλάτος. The painter John Constable was a European artist from the United Kingdom, whose artistic style can be classified as Romanticism. The British artist was born in the year 1776 in East Bergholt, Suffolk, England, United Kingdom and passed away at the age of 61 το έτος 1837 στο Hampstead, London, Greater London, England, United Kingdom, γειτονιά.

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Stoke-by-Nayland depicts the subject matter that the landscape painter John Constable explored throughout his life: the Suffolk countryside of his youth. Constable based his landscapes on countless studies and sketches that he often took back to his London studio to expand and then finish. Of Stoke-by-Nayland, he wrote to a friend: “What say you to a summer morning? July or August, at eight or nine o’clock, after a slight shower during the night.” To achieve the effect of sparkling wetness and a freshness of earth and air, Constable painted as much with a palette knife as with a brush, flecking the surface with white highlights and sketching and scraping the picture into existence. The deliberate ruggedness of his style echoes nature’s rough spontaneity. The unpolished execution is reminiscent of the full-scale sketches in oil that Con-stable made for earlier exhibition paintings; however, no more fully treated version is known, and the rich color suggests that this is a finished work, done in the artist’s late style. Constable’s emphasis on surface brushwork and texture in his effort to record the constantly shifting effects of natural light on land and sky exerted enor-mous influence on French artists like Eugène Delacroix and a younger generation of French painters, the Impressionists.