Γκόγια, 1804 - Ignacio Garcini and Queralt (1752-1825), Ταξίαρχος Μηχανικών - τυπογραφία τέχνης

Βασικές πληροφορίες για το προϊόν

The modern art artwork was made by the painter Goya in 1804. Το πάνω 210 το αρχικό έτος μετρά το μέγεθος του 41 x 32 3/4 ίντσες (104,1 x 83,2 cm) και βάφτηκε με το τεχνική of λάδι σε καμβά. Besides, this work of art is included in the The Metropolitan Museum of Art's collection. The σύγχρονη τέχνη έργο τέχνης, το οποίο βρίσκεται στο δημόσιος τομέας is being provided with courtesy of The Metropolitan Museum of Art, New York, Bequest of Harry Payne Bingham, 1955. Creditline of the artwork: Bequest of Harry Payne Bingham, 1955. Επιπλέον, η στοίχιση είναι κατακόρυφη με αναλογία 3: 4, που σημαίνει ότι το μήκος είναι 25% μικρότερο από το πλάτος.

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We offer a range of different sizes and materials for every product. Select your preferred size and material between the following alternatives:

• Τυπωμένη αφίσα (υλικό καμβά): A poster print is a UV printed cotton canvas with a slightly rough finish on the surface, which resembles the actual version of the work of art. Please note, that depending on the absolute size of the canvas poster print we add a white margin between 2-6 cm around the painting, which facilitates the framing.
• Εκτύπωση σε καμβά: A printed canvas, which shall not be confused with a painting on a canvas, is a digital replica printed on a UV direct printing machine. A canvas produces the unique effect of three dimensionality. Besides, printed canvas produces a familiar and enjoyable ambience. Your canvas of this artwork will allow you to transform your own art print into a large size artpiece as you would see in a gallery. The advantage of canvas prints is that they are relatively low in weight. This means, it is quite simple to hang up your Canvas print without any wall-mounts. Canvas prints are suitable for any kind of wall.
• Εκτύπωση dibond αλουμινίου: These are metal prints on aluminium dibond material with an impressive effect of depth. A direct Aluminium Dibond Print is your perfect start to fine art reproductions manufactured with aluminum. For the Print On Aluminum Dibond, we print the work of art right onto the surface of the white-primed aluminum. The bright and white parts of the artwork shimmer with a silk gloss but without any glow. The direct print on aluminium is the most popular entry-level product and is a truly sophisticated way to showcase fine art reproductions, as it draws attention on the image.
• Γυαλιστερό ακρυλικό γυαλί εκτύπωσης (με επίστρωση πραγματικού γυαλιού): The print on acrylic glass, which is often named as a print on plexiglass, will turn an original into wall décor and forms a good alternative option to canvas or aluminium dibond fine art replicas. The artwork will be made with state-of-the-art UV print technology. This has the effect of rich, impressive color tones. The acrylic glass protects your custom art replica against light and external influences for between 40-60 years.

Legal disclaimer: We try everythig possible in order to depict our art products with as many details as it is possible and to illustrate them visually in our shop. Still, the colors of the printing material and the print result might differ to a certain extent from the presentation on the device's monitor. Depending on your screen settings and the quality of the surface, colors might not be printed as realistically as the digital version shown here. Given that the fine art prints are printed and processed manually, there may as well be minor deviations in the exact position and the size of the motif.

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Δομημένες πληροφορίες για το έργο τέχνης

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Αυτό το κείμενο προστατεύεται από πνευματικά δικαιώματα © | www.artprinta.com (Artprinta)

Συμπληρωματικές πληροφορίες από The Metropolitan Museum of Art (© Πνευματικά δικαιώματα - από The Metropolitan Museum of Art - www.metmuseum.org)

An official in the War Department, Ignacio Garcini wears the uniform of the Corps of Engineers. The embroidered red cross on his coat and the badge of the Order of Santiago are decorations he received in 1806 and must have been added after the painting was signed. After the French invasion of Spain in 1808, Garcini became a collaborator, and in 1811 he wrote the book Chronicle of Spain Since the Reign of Charles IV: Account of the Persecution Suffered by Colonel D. Ignacio Garcini.